Improstor # 42—Antez (Francuska)
15.04.2013
21h
Omladinski Centar Ck 13
ulaz slobodan
Antez je perkusionista i sound-skulptor
koji istražuje zvuk kroz fizičku percepciju prostora. On svoj
instrument naziva sredstvom i koristi ga na različite,
nestandardne načine. Studirao je bubnjeve kod Jacques Givry
i elektro-akusticnu muziku kod Xavier Garcia. Aktivan je na polju
improvizovane muzike, zvučnih instalacija, kao muzičar i kompozitor
za tetar, film i savremen ples.
Antez je nominovan za "Logos Award" za najbolji koncert 2012 i pobednik je Belluard Bolwerk International contest 2002.
Antez je nominovan za "Logos Award" za najbolji koncert 2012 i pobednik je Belluard Bolwerk International contest 2002.
Bio je aktivan u grupama : Art moulu, La Cellule d'Intervention Metamkine, A contrario…; i saradjivao sa muzičarima poput :Yann Gourdon, Seijiro Murayama, Tim Hodgkinson,
Joris Ruhl, Jérôme Noëtinger...
Novosadskoj publici će se predstaviti
svojim projektom “Continuum”.
“My Continuums are pieces of music
for rubbed percussion. They are characterised by the acoustic
emission of sounds.
At first I used cymbals, but I quickly started looking for any kind of objects, often found objects of different compositions; which after a few transformations, allowed me to continue to develop this sound material and motion work.
My Continuums have unusual sonic textures, they escape traditional percussion registers. They test the limits of our perception: from infra to ultrasonic, by playing phase shifts. They insert themselves into the intimacy of sound matter, through micro sounds, and we are presented with an audio saturation by noise density.
The flow of these sounds evokes both restraint and excess, immersion and timelessness.” Antez
At first I used cymbals, but I quickly started looking for any kind of objects, often found objects of different compositions; which after a few transformations, allowed me to continue to develop this sound material and motion work.
My Continuums have unusual sonic textures, they escape traditional percussion registers. They test the limits of our perception: from infra to ultrasonic, by playing phase shifts. They insert themselves into the intimacy of sound matter, through micro sounds, and we are presented with an audio saturation by noise density.
The flow of these sounds evokes both restraint and excess, immersion and timelessness.” Antez
http://www.antez.org/
http://improstor.blogspot.com/
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